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Norbert Schoerner (born 1966) is a German photographer and filmmaker. Based in London since 1989, he spent the early 1990s experimenting with layered imaging and digital post production, primarily in ''The Face''.〔Paul Jobling, "(Fashion spreads: word and image in fashion photography since 1980 )", p.36, Berg Publishers, 1999〕 His work has since been published in ''NY Times'' magazine,〔New York Times, "(Contributors )"〕''Vogue'',〔"(I Shot Norman Foster )", The Architecture Foundation exhibition notice. Accessed 14 March 2009.〕 and ''Another Magazine''.〔"( Paul McCarthy spread )" , AnOther Mag, A/W 02〕 His advertising campaigns have included Comme des Garçons, Swarovski, Shiseido, Prada,〔 and Lacoste.〔Hélène Guillaume, "(Champions d'hier, icônes d'aujourd'hui )", ''Le Figaro'', October 2007.〕 Schoerner’s photographic and multi-media works have been featured in numerous group shows such as: ''photo50'' (London Art Fair, 2010),〔"(photo50 )", London Art Fair exhibition notice.〕 ''You Dig the Tunnel – I’ll Hide the Soil'' (White Cube, London, 2008),〔"(You Dig the Tunnel, I'll Hide the Soil, White Cube, Hoxton Square and Shoreditch Town Hall )", White Cube exhibition notice. Accessed 14 March 2009.〕 ''Cities: People, Architecture and Society'' (La Biennale, Venice, 2006),〔"(Cities: People, Society, Architecture )", 10th International Architecture Exhibition - Venice Biennale, Catalogue edited by Richard Burdett, ISBN 978-0-8478-2879-1. Accessed 27 March 2009〕 ''I Shot Norman Foster'' at the Architecture Foundation (London, 2005),〔 and ''JAM: Tokyo-London'' (Tokyo Opera City, 2002).〔"(JAM: Tokyo-London )" Tokyo Opera City exhibition notice.〕 Solo exhibitions have been held at Comme des Garçons (with ''The Face'', Aoyama, Tokyo, 1995), Chapman Fine Arts (London, 2001),〔Carol Kino, "(Review of Chapman Fine Arts show )", ''Art in America'', October 2002.〕 SDLX (Tokyo, 2004)〔"(the kingdom )" SDLX exhibiton notice〕 and Museum 52 (London, 2004).〔"(Artist info )" Museum 52, 2004〕 In 2005, Schoerner had a mini-retrospective at the photography festival in Hyères, France for which he created ''The Court'', an interactive and site-specific interpretation of the very notion of “retrospective”.〔"(Hyères catalogue )", text by Stephen Tateishi, p.15.〕 Schoerner's book ''The Order of Things'' was published by Phaidon in 2002. He has collaborated with Jake and Dinos Chapman,〔"(Disasters of War: Francisco de Goya, Henry Darger, Jake and Dinos Chapman )", P.S.1 Contemporary Art Center exhibition notice. Accessed 14 March 2009.〕 and contributed to books such as ''The Impossible Image: Fashion Photography in the Digital Age'' (Phaidon, 2000), ''Apocalypse'' (Royal Academy, London, 2000),〔"(Apocalypse - introduction )", Apocalypse ( contributors), Eyestorm, London, 2000. Accessed 16 March 2009.〕 ''Hell'' (Jake and Dinos Chapman, Saatchi Gallery, 2003), and ''Beauty in Vogue'' (Condé Nast, 2007). In 2010 he created a photographic essay for the Artangel commissioned Victoria and Albert Museum project ''The Concise Dictionary of Dress'' (Violette Editions).〔"(Violette Editions )", ''The Concise Dictionary of Dress''.〕 In 2011 ''Dazed & Confused'' Magazine's 20th anniversary exhibition highlighted Schoerner's iconic 2001 editorial collaboration with Alexander McQueen in the form of an installation consisting of floor to ceiling vinyl reprints. The series is also featured in the accompanying book ''Dazed & Confused: Making It Up As We Go Along'' (Rizzoli, 2011). A new monograph titled ''Third Life'' was published by Violette Editions in 2012.〔"(Violette Editions )", Forthcoming, ''Third Life''. Accessed 19 January 2012.〕 ==Notes== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Norbert Schoerner」の詳細全文を読む スポンサード リンク
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